Harry Potter and the Cursed Child is kicking off its second year on its North American tour. As the first Harry Potter narrative adapted for the stage, it serves as the eighth installment of the series and has sold over 10 million tickets globally since its debut in London in July 2016. The production has earned nine Laurence Olivier Awards, including six Tony Awards for categories such as Best New Play and Best Play.
The show will be visiting the following cities:
Providence from September 19, 2025 to October 4, 2025
Columbus, Ohio from October 12, 2025 to November 1, 2025
Boston, Massachusetts from November 9, 2025 to December 20, 2025
Durham, North Carolina from December 27, 2025 to January 17, 2026
Orlando, Florida from January 24, 2026 to February 21, 2026
Atlanta, Georgia from February 28, 2026 to March 21, 2026
St. Louis, Missouri from March 28, 2026 to April 18, 2026
Minneapolis, Minnesota from April 25, 2026 to May 23, 2026
Denver, Colorado from May 30, 2026 to June 27, 2026
Costa Mesa, California from July 5, 2026 to July 25, 2026
Harry Potter and the Cursed Child will be launched in Chicago in September 2024 as part of the North American tour. Currently, the show is being presented in Los Angeles at the Hollywood Pantages Theater until June 22, 2025, after which it will move to Washington, DC, starting on July 8, 2025.
Since its world premiere in London in July 2016, Harry Potter and the Cursed Child has achieved global acclaim, selling over 10 million tickets and winning numerous awards, including nine Laurence Olivier Awards and six Tony Awards. The popular production is being staged in cities such as London, New York, Hamburg, and Tokyo, and has recently concluded performances in Melbourne, Toronto, and San Francisco. A new international production is set to open in the Netherlands in 2026.
Harry Potter and the Cursed Child holds the title of the least successful non-musical play in Broadway history, yet it also has a unique distinction from Guinness World Records, having sold over 3.3 million tickets, making it the highest-selling non-musical play in Broadway history.
